Friday, July 31, 2026

MY LATEST — AND LAST — WORK OF FICTION!

 

Hello, All!


I'm happy to announce that my latest book, The Ghost of Devastatingly Handsome Stuart Abbott Tells All: A Spirited Novella, has been published and is now available on Amazon in both paperback and ebook editions.



Devastatingly handsome Stuart Abbott is dead. But this successful novelist’s “lively” ghost actively reviews the life of his corporal self, especially his sexual conquests. 

Or possibly they were sexual surrenders, for as he was so good-looking, he was always less the pursuer than the pursued. 

But in Stuart’s mind, being loved for his handsome self was nothing compared to being loved for the words he manipulated into stories that enthralled. 

His first lover, his wife Donna, dear dead Donna did.

Did Stuart ever find another like her? Or was he destined to be nothing but a sex object instead of a text object?




Unless some very bright idea infects and takes over my aging brain, this will be my last book. In this first quarter of the 21st century, I have published sixteen books of fiction and one small book of essays centered around Ray Bradbury, who was an early inspiration for my writing and later a professional colleague and beloved friend. Of course, if on occasion I develop some twitchy typing digits, I may write a blog or two or three, but other than that, I think I'm done with writing. I started writing in my late teens and have done it rather consistently since—some sixty years. And in all those years, many of the books my wife, Amanda, and I have collected have stared at me from their shelves and shouted, "Hey, smuck! What are we, chopped pulp?" 

Just some of the books lining our walls



Well, yes, actually, they are, but be that as it may, my writing time has certainly cut into my reading time, so I intend to get as much reading done as my eyeballs will allow in the coming years.

But write though I may not be doing, selling I am. I would be pleased if you checked out my books, which have been a big part of my life for many years. And delighted if one or two or possibly more took your fancy (not to mention some loose change you might have hiding in your wallet.)





 

Meet the Fixxer—with wit and aplomb he works the fruitful fields of Hollywood fixing the sins and correcting the stupidities of the denizens therein. In Blood is Pretty he comes to the rescue of “the most beautiful woman I have ever seen” to extricate her from the grip of the soul-sucking sexual desires of a producer born in slime, and takes on the task of buying off with money and muscle a film geek who won’t cooperate with a director of minuscule talent who simply wants to claim “V”—the geek’s “Holy Grail” of a film treatment—as his own.

  




What those in the know in Hollywood really know is that if they need a dark deed done, if they need a sticky personal or professional problem “fixed,” they can call upon the mysterious and dangerous Fixxer. Whether you are a successful comedy film director whose “Art” has never truly been appreciated because the country’s most important film critic has held a grudge against you since college, or you are a neophyte and naïve screenwriter who resents the professional blackmail she has just suffered, you call upon the Fixxer.

 

 



A unique first contact novel from the aliens’ point of view. The last thing the factfinders—who call themselves Life—expected to find while traveling in space in “The Curious” on a mission from their planet, The Living World, was other life. But one day, they stumble upon the third planet out from a backwater sun and find it teeming with a vast diversity of life, including one sentient and cognizant, if primitive, species that they dub Otherlife. Being not only from The Curious but inherently curious themselves, they begin to study the Otherlife and their alien culture, discovering such strange things as marriage, intoxicating drinks, weapons of minor and mass destruction, the gleeful inhaling of toxic substances, two-parent families, layered language, genocide, non-nude bathing, and—the strangest thing of all—religion.

 

This first contact between Life and Otherlife, disconcerting for both, has moments of humor and moments of horror—and neither escapes the encounter unchanged.

 

 



Winner of the Scribe Award from the International Association of Media Tie-in Authors

 

Based on the beloved independent family film.

 

12-year-old Emma O'Connor is sent to live with her “aunt” in the small town of Doverville. Emma soon finds herself in the middle of a “dogfight” with the mayor and town dogcatcher. In order to strike down their “no-dogs” law, Emma must bring together a group of schoolmates, grown-ups, and adorable dogs of all shapes and sizes in a spectacular holiday pageant. The 12 Dogs of Christmas is a fun, heartwarming story featuring a diverse canine cast and is perfect for anyone who loves dogs, kids, and Christmas.

 

 

 

A modern comic adult fairy tale with an ensemble cast of Cinderellas. Instead of a kingdom by the sea, our story takes place in and around a residential hotel by the sea. The architecturally eclectic Briers Hotel is situated on Leech Beach, a not particularly inviting beach that is often fog-bound and always scruffy. But it’s the perfect setting for our Cinderellas, male and female, who put up with the scruffiness of life while striving to make it through their various personal seaside fogs. Theater; art; antiques; old movies; sex; more sex; death; fast and slow cars, chicken shit, and cow poop; military bearing and erotic emissions—not to mention the wicked witch, the sea serpent by the seashore, the village ogre, the village idiot, and several Prince Charmings—all figure into this merry tale with a multitude of happy endings.

 

 

 


Thomas P. Powell’s ascension in politics was both unusual and very American. From traffic cop to Vice President of the United States, his climb up the ladder of public service was often due to the push of random acts and not-so-happy accidents—although Thomas held the opinion that it was due solely to his singular innate moral authority. What matters is what’s within; that’s the Powell political philosophy. Then, on the cusp of his grasping the last rung of the American political ladder, something truly within suddenly appears. A horrible homunculus, an impetuous imp, climbs out of Thomas’s right ear to bedevil his nights, confuse his days, and take him on a crazy, wild, nauseating, and nuclear journey. It’s as if The West Wing was done as a Twilight Zone episode.

 

 

 


When a radical experiment into the nature of time is sabotaged, the scientific team finds themselves in an alternate universe where humans never became the dominant life force. Instead, dinosaurs evolved into intelligent bipeds, developing language and societal structures.

 

The scientists must learn to communicate with this alien species, who view them as unusual pets, and figure out how to recreate the original experiment in a non-industrialized world so they can go back home—assuming there’s a home, or even a universe, to return to. But the scientist who sabotaged them is trapped in this new world with them. And he’s looking to rise to power, even if his quest means the death of his traveling companions. A contemporary scientific romance in the tradition of H. G. Wells and Jules Verne

 

 

 




THERE IS SOMETHING STRANGE HAPPENING IN PLACIDVILLE!

 

It is 1962. Kathy Anderson, a serious actress who took her training at the Actors Studio in New York, is stuck playing Vivacia, the Vampire Woman, on Vivacia’s House of Horrors for a local Chicago TV station. Finally fed up with showing old monster movies to creature feature fans, she quits and heads to New York and the fame and footlights of Broadway.

 

She stops off to visit her parents and old friends in Placidville, the all-American, middle-class, blissfully normal small town in the Midwest where she grew up. But she finds that things are strange in Placidville. Kathy’s parents, her best friend from high school, the local druggist, and even the Oberhausen twins are all acting curiously creepy, odiously odd, and wholly weird. Especially the town’s super geeky nerd, Gerald, who warns of dark days ahead.

 

Has Kathy entered a zone in the twilight? Did she reach the limits that are outer? Has she fallen through a mirror that is black? Or is it just—just—politics as usual?

 



NAMED A "FAVORITE BOOK OF 2021" BY THE MONTREAL TIMES!

Adolphus is a happy, self-satisfied, middle-aged bachelor. A history professor, he has several lovely friends with benefits, including the bright and witty Peggy Bradford. His future utterly changes when Lavinia Carson, a wealthy man’s radiant and beautiful young wife, walks into Adolphus’s class. He discovers that Lavinia’s husband, Eugene, was the bully who had terrorized him during his high school years and left lasting scars. And who, no less the bully now, soon declares that he loves Adolphus! Thus begins a very odd love story. Adolphus. Lavinia. Eugene. Peggy. Who loves who? Love rejected. Love ignored. Love found. And cuttlefish pizza!

 




 

Award-winning, Amazon Bestselling author Steven Paul Leiva is your tour guide to some of the strange destinations he has traveled to over the years.

 

In Made on the Moon, travel with Leiva into the mind of one Stanley Lewis, a little man with a big dream. He had wanted to go to the Moon from the time he was an infant. Not a toddler, not a child, not a young man, but a babe in his mother’s arms.

 

Then go even deeper into Stanley’s mind as Leiva takes you to the poetic realm of this little man’s mind by presenting “What a Pleasure It’s Been to Piss in Porcelain: The Rude Poems of Stanley Lewis.” As you might guess, you don’t want to read these poems to your mother.

 

Next stop—Mars! We are joined on the tour by Cyrano De Bergerac and Baron Munchausen in the year 1641. Although the Baron is actually from 1790. A weird situation for historical personages. But then Cyrano and the Baron were also fictional characters. An imaginative tale about real imaginative gentlemen on a surreal trip, tripping over the real.

 

Then two short stops to conclude our voyages. You won’t even need an overnight bag.

 

 




  

With The Reluctant Heterosexual, Steven Paul Leiva concludes his thematic trilogy: The Love, Sex and Pursuit of Happiness Novels. All three novels examine these essential aspects of the human condition, with each focusing on one. By the Sea: A Comic Novel looks at our unease when unhappy. Bully 4 Love: A Rather Odd Love Story takes a skewed view of this most revered emotion. And The Reluctant Heterosexual, as the title predicts, concerns sex, which is not always the same as love, nor is it always a happy situation.

 

Subtitled A Tragicomedy in Four Movements A Prelude and An Interlude, each section of the novel, as in a musical composition, has its own tempo, mood, and form as it tells the story—and stories—of Robert Leslie Cromwell and Sandy Smith. Two Homo sapiens surviving and striving in the late 20th century.

 

Robert and Sandy are intelligent, creative, not unattractive, wealthy, married to each other, and in love. And yet their procreating bodies might as well be standing naked on a savanna in Africa in the late Pliocene Era.

 

It’s the sometimes-comical conflict between ancient bodies and modern culture. Can there possibly be a happy ending?

 


 

In a 1980s America different from our own, both familiar and not, Congress passed, and President Henshaw signed the Birth Cessation Act. Once it became law, no one would be allowed to have a child for twenty-five years, any woman under 24 weeks pregnant was required to have an immediate abortion, and all men were called up to report for a vasectomy.

 

Conscious regulation of human numbers must be achieved.” Dr. Paul R. Ehrlich wrote in his 1968 bestseller, The Population Bomb. By the early 80s, the government had statistical projections that the population growth was outpacing the available resources needed for all in America to live a comfortable and secure life. A situation that would inevitably lead to the chaos and violence of extreme civil unrest.

 

Most Americans, liking comfort and security, supported the government’s action. Most, but not all. And those who didn’t, including:

A world-famous female billionaire entrepreneur/inventor/film producer.

A major appliance salesman from Queens.

A well-to-do Manhattan college radical.

An unwed mother in Los Angeles who protests most horribly.

America’s premier pundit-columnist.

And a young man whose talks with his dead brother became loud enough to start a fresh new controversy in America.

 This is a portrait of that controversy.

 

 




 

Retired History professor C.D. Beekman is known by the townspeople of Madison, California, as “the nicest man.” He’s always friendly and has kind words for everyone. When Professor Beekman prevents a mass murder at the local mall, he becomes famous far beyond Madison—he becomes a national celebrity. And when he puts forth the simple philosophy that Mass Murder isn’t Nice, he is dubbed “Mr. Nice Guy.” But is he? Is he truly Mr. Nice Guy? Or is he The Person Who Hated People? You decide.

 

 




 

“If I ruled the world...” is the refrain often heard coming from the lips of Joyce Bullock, four years beyond the age of fifty, only three pounds over the weight she should be, five-foot-seven with brown hair not yet gone grey. She is happily divorced. Or, rather, she refuses to be unhappy just because her husband had left her for a younger woman. She felt herself well rid of him, not because of the infidelity, but because his action was such a cliché. Joyce hated clichés, as she hated many things in the world, which seemed to be conspiring every day to piss her off. And so, “If I ruled the world...” was her mantra.

 Then, one fine Spring day, the Universe decides to take a vacation and hands over the keys—metaphorically speaking—to Joyce. And so, what choice did she have? Joyce took over the world.

  



 

1:17 PM ON TUESDAY, APRIL 22, IN THE YEAR 2025

THE UNIVERSE BEGAN

 

Cosmologist Dr. Robert Porter is having a crisis of faith. Not of a faith he has lost, but of a faith he has gained. Robert now knew for a fact that the universe did not come into existence 13.8 billion years ago but rather precisely at what every person in the greater Los Angeles area would have considered to be 1:17 PM on Tuesday, April 22, in the year 2025 but was actually second one of hour one of day one of week one of month one of year one of the existence of the universe. Richard did not doubt that fact. In fact, he had total faith that it was true.

 


 

Includes the title piece written for the Los Angeles Times, and “The Man Who Was Himself,” Leiva’s memorial appreciation of Bradbury, commissioned by the Science Fiction & Fantasy Writers of America for the Winter 2012/13 edition of their quarterly magazine, The Bulletin. Other pieces were originally written for Neworld Review, KCET.org, and his personal blog. With a special foreword by Hugo and Nebula Award-winning author David Brin.






My Books page on blog -- https://tinyurl.com/booksleiva










Friday, February 21, 2025

AN IMMODEST PROPOSAL


I recently published a novel under my Magpie Press imprint, The Person Who Hated People, the 14th work of fiction I have published.


 
Yes, I published it, which means that I self-published it. But I reject the current term “Self-published Author,” which stumbles out of so many tongues and trips not so lightly off the typing fingers of so many writers. My immodest proposal is that we drop this term and adopt, instead, Digital Indie Author.
 
Digital because most such works today exist because of the 21st-century digital technologies that have brought about print-on-demand books and eBooks. 
 
Indie because how more indie can you get than to do it yourself, controlling all aspects of the final product?
 
Author is self-explanatory. Or, at least, it should be. 
 
Self-published was a term established years ago when the only recourse authors had if traditional publishing houses had foolishly (or rightly) turned down the opportunity to bring their lovingly created works into the world was to go to an outfit like Vantage Press. It was an interesting name as it was so close to the generic handle that the trade had given to such fee-charging publishers, “Vanity Press.” In 1975, it could cost an author $4000 to have Vantage Press “publish” your book with a promise to market and promote it. But as they rarely, if ever, did market and promote your book, they were no more than a printing service, happy for this fee to print your book and let you then buy, at cost, many copies to store in your garage as you desperately tried to publicize your book and convince bookstores to order it. How many trees died to accommodate this scam? Although one can imagine that if an author wrote a non-fiction book of localized and specific information, such as Successful Seashell Gathering Along the Coast of Maine, that author might see some success marketing the book to independent bookstores along the Maine coast and even get some speaking gigs at libraries and Lions Clubs and Chambers of Commerce monthly meetings along the Maine coast. But if the poor (and likely to remain so) scribe wrote fiction—forget it.
 
In the past, each traditionally published book was born with the efforts of many people. First, someone had to write it. Which, of course, the author did. This was the only control the author had—producing a manuscript. Then, someone in a publishing house (big or small) had to get excited by the book’s artistic or commercial potential and purchase the publishing rights. Then, the publisher’s small army of dedicated professionals took on the various tasks of turning the manuscript into a book bound between covers, hard or soft. These included editing the manuscript, checking for spelling and grammatical errors, and advising on changes to the more literary aspects of form, style, storytelling logic, etc. Others designed and created the cover to be eye-catching as it sat on bookstores’ shelves or in paperback racks. The marketing department got busy positioning the book in the marketplace, tub-thumping it to retail buyers and the reading public, setting up a book tour for the author, TV and radio appearances, newspaper and magazine interviews, and general coverage. Then, the distribution machinery kicked in, getting the physical books to bookstores, drugstores, airport shops, etc. That was the only way to get books made, distributed, and, hopefully, sold to many happy readers, outside of going the “vanity” route.
 
The situation today is radically different. Not that it is that different for mainstream publishing, which still does all the above outside of marketing well every one of their titles—they now leave that to the authors themselves, except for their reliable bestselling scribes. However, it is different in that how it was done in the past is no longer the only way to get a book published. Today, an author can take advantage of many services, not the least being Amazon’s Kindle Direct Publishing, to easily take their composition from manuscript to published book in eBook and print formats. How easily? Worldwide, in 2023, there were roughly 563,019 traditionally published books and 2.6 million self-published books with ISBNs. This at a time when book sales have hardly grown in the last 20 years. 
 
It must be faced: books are not high up on the ladder of this world’s important and popular cultural products. For that, look to television, film, and popular music. And yet, many people feel the call or need or ego-driven desire to put their thoughts, knowledge, and stories into words. For words—those little black bugs on white—seem, and may well be, the purest physical representation of their thoughts. We live in the world, but we exist in our thoughts. To invite people into our thoughts is, we hope, to ask people to love us. Or, at least, to get to know the extraordinary, talented, and intelligent people we are as intimately as we know ourselves to be. One does not write a book if one does not have a healthy ego.
 
Whether the book is by any objective measure (if there is such a thing) good to excellent as opposed to just okay to just awful, with the mundanely competent coming somewhere between, is another matter. What matters is that authors desire to see their works in a printed form that can be marketed and distributed to potential readers. How many readers then take their books in hand is a roll of the dice. 
 
What digital printing technologies have offered authors who publish themselves is admittance into the crap game.
 
But is it fair to scarlet-letter these authors with the epithet “Self-Published?” Yes, it is accurate, but it has a negative connotation. Such authors may be in the crap game, but they are not in the club, they have not gone through the initiation rites, and someone has not blessed them from above—they are not one of the chosen few. 
 
And yet, Virginia Woolf, Mark Twain, Walt Whitman, Jane Austin, Marcel Proust, Margaret Atwood, and Edgar Allan Poe all self-published books.
 
I suggest the term Digital Indie Author would be eminently fair and accurate. It is also newly born, so it has no history to taint it. Our culture has found things admirable in indie rock and indie films, so why not indie publishing?
 
Speaking of crap games, is it true that most, if not all, digital indie-published books are crap? Well, Sturgeon’s law (or Sturgeon’s revelation) states that “ninety percent of everything is crap.”


Theodore Sturgeon (1918-1985) was a science fiction author and critic who rankled over others in the literary world who declared that science fiction was crap. He contended that ninety percent of everything is crap, so what else is new? Let’s concentrate on the ten percent that isn’t. Does this hold for digital indie publishing? Most likely, if Sturgeon’s contention is accurate and not mere hyperbole. Even if it’s a too-generous assessment, it’s meaningless whether the ratio of crap is ninety percent or ninety-five percent, or ninety-nine and a third percent. And there is always the possibility that the crap percentage could be lower. Although, who could read 2.6 million digital indie books a year to find out?
 
In the current state of mainstream publishing, where gatekeepers abound and it’s tough to break into the club, digital indie publishing allows all authors to see their work in print in book form. It’s tough enough for all book publishing, mainstream to indie, to succeed, so why burden, nay curse, the indie author with S-P stitched onto their bodice or tee-shirt or hoodie? 
 
Let’s level out the playing field at least a little and let all die be cast.



 
 
 
 
 
 
 
 
 
 
 
 

Friday, May 10, 2024

CYRANO DE BERGERAC AND BARON MUNCHAUSEN GO TO MARS




CYRANO DE BERGERAC AND BARON MUNCHAUSEN
GO TO MARS

A Short Story by
Steven Paul Leiva
 


This story was written for the anthology of short stories Turning the Tied, published in 2021 by the
International Association of Media Tie-in Writers. Later, I included it in an anthology of my writings, Extrodanay Voyages.
Cyrano de Bergerac (1619—1655) and Hieronymus Karl Friedrich, Freiherr von Münchhausen (1720—1797) were both real individuals and fictional characters. 
The real Hieronymus Karl Friedrich, Freiherr von Münchhausen (1720—1797) 


The Fictional Baron Munchausen


The Real Cyrano de Bergerac

The Fictional Cyrano de Bergerac

Cyrano de Bergerac actually was a famous swordsman and author of one of the first works of science fiction, The Other World: Comical History of the States and Empires of the Moon. Hieronymus Karl Friedrich, Freiherr von Münchhausen, or Baron Munchausen, was infamous as a teller of outrageously tall tales at dinners he hosted. Cyrano was fictionalized by French playwright Edmond Rostand in 1897. The Baron never wrote down any of his tales, but tales attributed to him were published by a series of writers. They were not "licensed” to do so, and the Baron was not happy about this. Nevertheless, is it possible that these scribes were the very first tie-in writers? It is to wonder.
_________________________________________________________
 
 

1
 1641

Savinien Cyrano de Bergerac, a young member of the King's Guards, sat in his cups after several cups of a not very distinguished wine in a little tavern in a not wholly decadent section of Paris, but certainly not a dignified one. It was close to the theater where Cyrano and two of his fellow Guardsmen, the twins François Jacques and Jacques François, had spent the better part of their evening. François and Jacques tried their best to lighten Cyrano’s mood. For, besides being in his cups, Cyrano, his head buried in his folded arms on the table, was in a morbid melancholy.

“Cyrano,” said Jacques (unless it was François),“you are the most irritating guardsman of my acquaintance.”

“Mine too!” François said (unless it was Jacques).

“You had a great triumph tonight. You bested and mortally wounded a great swordsman in a duel of honor at the theater. And this while still suffering some pain from the neck wound you received in the Siege of Arras. It was Spectaculaire! (Which, of course, means Spectacular!) Magnifique! (Which, of course, means Magnificent!) Affreux! (Which means Awful! But in this case, “full of awe” and not “objectionable,” for obviously François—or Jacques—was not objecting). “It will only enhance your repute, your fame, your legend!”

Cyrano moaned and slowly raised his head, bringing into the tavern’s low candlelight and fireplace illumination his spectaculaire, less than magnifique but certainly affreux nose. He looked at the twins, his fellow men-at-arms, and said in a slurred voice, “I would rather be known for my rapier wit than for my rapier.” Then he dropped his head back onto his folded arms.

“You see,” said one of the twins (we will dispense with trying to figure out which), “that is your problem, my friend. You care more for your books, your poetry, and mooning after your cousin than defending France and your honor with your incredible talent with the sword.”

“Some talent,” Cyrano said, raising his head again, his face mapped with disgust. “Sticking pigs! And what a pig he was! Not just of the body but of the mind. How did he insult me? Was it at all clever? Was there some felicity to his words? An apt way to offend me? No, just your mundane, ‘Mon Dieu, mais tu as un gros nez!’ (Which means, “My God, but you’ve got a large nose!”) But it sounds better in French). Oh, if only I had answered back with some wit, some poetry, possibly with how he could have cleverly insulted me if he had not been a witless dolt. No, I just answered with the inarticulate clang, clang, clang, clang of metal! Oh, why do I always think of the witty things to say, the beautiful bon mot, after the duel?”

The twins looked at each other and shook their heads. They had heard all this before; they understood Cyrano’s anguish no more than they ever had, and it was boring. Time to pick up their friend, plop his white-plumed cavalier's hat onto his head, and escort him home.

But Cyrano did not want to go home. Despite their objections, he bid farewell to his friends and took himself off to his favorite bit of countryside nearby.

There, along a lonely road, stood a single spike-like Italian cypress tree that he felt to be his friend. For it stood as oddly in this landscape as Cyrano did in the Guards. He loved to sit under it at night and look up at the sky, especially on a night like this, a night of a full moon.

The moon, the moon, Cyrano thought as he stared directly into the moon’s man-like face. Earth’s companion in the sky. No, not just a companion, but a brother. What are you like, brother? Who resides there, brother? What are your secr—

A wispy cloud appeared before the moon. Which was odd because it was a cloudless sky. But, no, it was not a cloud. It was a supplanting face! Transparent at first, moonshine flowing through it, it slowly came into solid integrity.

Cyrano soon realized that standing before him was a man, strangely dressed, wearing an odd triangular hat and sporting a broad, cheerful grin, and... and... and…

Mon Dieu, mais tu as un gros nez!” Cyrano said as he looked up at the man
 
 

2
THE MAN IN FRONT OF THE MOON
 

“Yes,” said the elegantly if strangely dressed man before him. “It is a magnificent nose, is it not? A real Hanover hooter! It flows freely from out of my face and curves down quite beautifully, the whole forming an aspect like the side of a gently rolling mountain. I am quite proud of my nose. Although, I suppose the pride actually belongs to my progenitors. But be that as it may, allow me to present myself, I am Hieronymus Karl Friedrich, Freiherr von Münchhausen. But you may call me Baron Munchausen!”

At any other time, being presented with such an aristocratic fellow, Cyrano would have jumped up and shown due respect with a flourish of a bow. But he was perfectly comfortable sitting against his cypress. And he was not entirely convinced he was not dreaming. It seemed the better course to stay as he was. Still, apparition or not, Cyrano needed to address the stranger. “Am I correct, sir, in assuming you are a citizen of the Holy Roman Empire?”

“Ha! As your fellow countryman Voltaire will someday say, it is neither holy, nor Roman, nor an empire.”

“Will someday say?”

“Yes, he has yet to be born,” the man in the triangular hat said offhandedly. “I prefer to say that I am from Bodenwerder in the Electorate of Hanover. But that is just Geography, my friend. More to the point, I am from future! 1790, to be specific.”

“I must,” Cyrano said as he dropped his head and shook it to reorder the confusion within, “I really must stop drinking cheap wine.”

“Oh, stop whining about your wine, and stand up, man, and embrace me, for we are fellow authors!” Baron Munchausen scooped Cyrano up as if he were but a child, a small child, possibly even a rag doll, and brought him into the fellowship of his arms.

“But... but... I am not an author,” Cyrano said once the Baron had released him.

“You will be, my son, you will be.”

“No, no, I am a King’s Guardsman, a swordsman, a man of duty and honor.”

“Poshtiddle!”

“Poshtiddle?”

“You will quit the guards this year and begin studies with Pierre Gassendi.”

“Gassendi? The philosopher?”

“Yes, yes! He will tickle your mind as he opens it, and then you will write poetry, plays, and prose. And you will write about going to the moon!”

“Going to the moon? I was just thinking about the moon.”

“Who doesn’t think about the moon? So obvious, so mundane, even I have written about going to the moon. But now, I could truly go there.”

“What?”

“And I could take you.”

“What?”

“But, I will not!”

“For pity’s sake, why not?”

“Because I have come here to take you to Mars!


3
BARON MUNCHAUSEN EXPLAINS HIMSELF
 
“In my time and world, I am known as Lügenbaron, The Baron of Lies!”

Cyrano’s eyes flashed with righteous anger as his long, and promontory-like nose twitched in agitation, for he could always sniff out an insult. “What an affront! I would kill any man who disparaged me so.”

“No, no, Cyrano! It is not an insult. On the contrary, it is a perfectly precise appellation. Indeed, a fine honorific! For I have told the most outrageous, ridiculous, absurd, unbelievably tall tales of any man living or dead. And yet people hang on my every word, often with the most beatific grins on their faces, enraptured with my lies; it would not be a lie to say. It has been a most pleasant occupation for me.”

“But, Baron, to what purpose?”

“Why to amuse, Cyrano, purpose enough.”

Cyrano looked down upon the ground and saw there—there being within himself—a truth. “Not for me.”

“Yes, I know. You will put philosophy in your writing, the true nature of things, promoting ideas that will not, I must say, please your Church. But that is the nature of your essence. But I am here to inspire you to do it with some panache, some flare, some outrageous and glorious lies!”

“Here?” Cyrano questioned. “You have still not explained how you happen to be here, in Paris, in 1641, instead of Hanover in 1790.”

“Ah! Yes, a strange and wondrous thing, that. I was walking one day in the mountains with a group of friends. They were hanging on my every word, as I told them of how one day when I was standing on the edge of the White Cliffs of Dover in the island kingdom across the channel, a lightning bolt shot down from the heavens and streaked through my legs—I was standing akimbo at the time—and snatched me up into the sky. I told them how I rode that bolt like I would ride a fine steed, all the way to the antipodes. Specifically, New Zealand, another island country, where I found myself in the company of a tribe of well-spoken koala bears. Just as I was beginning to elucidate on the koalas’ customs and taboos, I was—truthfully, in actuality, very, very, realistically, and with great veracity—struck by lightning. It burnt my clothes and fizzed my hair and singed my nose, and I fell into a deep stupor. My companions transported me back to my hunting lodge—for that is where we were staying—and tended to me with great tenderness for the next forty days. During those forty days, I emitted an intermittent glow and, quite unconsciously, recited many of the works of Lucian of Samosata. Upon waking after forty days, I felt wonderful and saw no reason we should not carry on with our holiday. That night, my friends and I—there were five of them, aristocrats all—played a card game of English Whist. I was telling them of my great adventure in mid-Africa, where I battled an enormous crocodile. I bested him by reaching down his throat and grabbing the inside of his tail, and pulling him inside out. They were, of course, mesmerized by my tale, glued to their seats, as it were. Then all of a sudden, an enormous crocodile burst through the wall and gobbled up three of my five aristocratic friends.”

“Stunning!” said Cyrano, who was sitting on no seat to be glued to but was mesmerized still. “Amazing! And tragic.”

“Well, the three ingested ones were lesser aristocrats, whereas the surviving two were higher born.”

“Are you saying their deaths were less tragic because of the position in society that their births gave them?”

“My dear Cyrano, there is a reason why the low-born are called the low-born.”

“But my dear Baron, are we not all low-born? Wasn’t it only Athena who was born high?”

After a short period of perplexity, the Baron got Cyrano’s allusion to the ancient myth. He shook with laughter both Teutonically and tectonically. “Ah, you are clever with the words and ready with the wit, my fellow possessor of the proboscis colossal!”

By reflex, Cyrano shaded his nose from the moonlight as he lamented, “Oh, were that so, Baron, were it so. But forget my wit or lack of it. Are you saying you conjured up a real, living, enormous crocodile by your lie?”

“Yes, my friend, that is exactly what I am saying. I have become such a consummate liar, such a fabulous fabricator, that my lies can now become part and parcel of the fabric of the universe. I have but to tell them to make them real.”

“That is—that is unbelievable!”

“So is the virgin birth, my friend, but...”

“But... but...”

“But how do you think I got here in an instant from Hanover—not to mention 1790? I just told myself the story of me being here—and I was here! I will prove it to you.

On this lonely country road, I will lie up our conveyance to Mars.”

“Would not the moon be closer?”

“Poshtiddle!”

“Poshtiddle?”

“The moon is but a low-born satellite, a servant of Earth, colorless, barren, and uninteresting.”

“A servant? How does it serve?”

“By moving our ocean tides in and out, of course.”

“Not according to Master Galileo.”

“Master Galileo was right about many things but wrong about this. But that, my dear Savinien Cyrano de Bergerac, is not the point. Do you not realize that the Earth and all the planets are the children of mother Sun? That the planets were born one after another from her fiery womb and sent out into space? As Mars is farther from the Sun than we, then it must be older. It must have a civilization of peoples more advanced and mature than we. Think of the wonders we will find there, the knowledge we can gain.”

“But what if it is like an older sibling happy to torture the younger?” Cyrano asked by way of warning. “It was, after all, named after the God of War.”

“A mistake of antiquity, my friend! No, no, look at Mars! Not all white and pale like the weak moon, but red, sanguine, a good fellow, optimistic, I’m sure. But we can talk about all this on the way. For now, let me lie up our conveyance. I think I will use the chariot of Queen Mab that I featured in my tales of African adventures! Give me but a moment.”

The Barron began to mutter, chuckle, and finally exclaimed,     “The chariot of Queen Mab be here!”

And there, on that lonely country road appeared the most strange of all conveyances ever imagined by man. It was huge, a prodigious, globular coach that looked like a giant hazelnut, mainly because it was a giant hazelnut. There was a hole in the shell as large as a regular coach door, and the interior, which the Baron invited Cyrano to look in and examine, featured a luminous representation of all the stars of heaven. It goes without saying that Cyrano was amazed! But as I just said it—it’s too late now.

Breathless, Cyrano backed his head out of the coach and stumbled backward to fall against his cypress tree, sliding slowly down the trunk to sit, composure having abandoned him. But it did afford him a full view of this wondrous mode of transportation. Nine bulls were hitched to the chariot of Queen Mab to provide forward motion. The lead bull was enormous, with horns that may have reached into the next district. Behind him were eight average size bulls, but positively not minuscule in bulk and strength. The bulls were shod with the skulls of men, which the Baron explained gave them extraordinary abilities to transgress any landscape. Indeed, any seascape, and—the Baron said it would soon be proven—space itself.

On the back of the nine bulls sat nine postillions, nine riders to direct the nine bulls, for there was no coachman to drive the chariot of Queen Mab. Just one postillion, seated on a lead animal, is normal, but having nine of them is not what was strange here. All nine postillions were crickets! The size of monkeys! Their chirping was loudly incessant, as you would expect of Grylloidea (in a story like this, it is always good to throw in a little Latin) of such inflated size.

“And now, Cyrano, get up and join me in the coach.”
Cyrano rose in apprehension. “But will we be warm? I have heard that the higher up you climb the great Alps, the colder it gets.”

“We will be perfectly warm, I assure you.”

“And will we be able to breathe? I have also heard the higher you go in the Alps, the thinner the air becomes.”

“Yes, yes, we will be warm, and we will breathe because I will lie us up some heat and air. If I have not convinced you yet, Savinien Cyrano de Bergerac, what more can I say?”

What more, indeed, Cyrano thought. He was not a young man of faith, except the faith he put in his swordsmanship, so how could he put his faith in this apparition from the future? Or this conjuring demon from the present? But because the Baron was imbued with confidence, and his offer of the most unique of adventures was strangely compelling, Cyrano got up and, with no hesitation, joined Baron Munchausen in the giant hazelnut, closing the coach door behind him.

“How long will it take us to get to Mars?”

“Who knows? No one has ever gone there before.”

“Do we have provisions?”

“When I think, ‘breakfast,’ we will have breakfast. When I think, ‘lunch,’ we will have lunch. When I think, ‘supper,’ ‘dinner,’ ‘dessert,’ and ‘wine,’ we will also have those. And the best part is—there will be no washing-up afterward! Now, let us go on to Mars!”

Each monkey-size cricket on the back of each bull chirped louder and louder until the sound was almost deafening. The chariot of Queen Mab shook violently, tossing Cyrano and the Baron side to side until the shaking became an intense vibration. Then forward ballistic movement threw the men against their seat backs. The hazelnut coach sped faster and faster along the lonely country road. Finally, the massive bull in the lead leaped in a great bound up into the sky.     They ascended at such an incredible rate, the Baron and Cyrano flattened like Homo crêpes.
 

4
THE TRIP TO MARS
       

They knew they had escaped the Earth’s massive pull of gravity when they unflattened and recovered their fully dimensional selves.

“That was an odd experience,” Cyrano said as his face took on a chartreuse hue, and rumblings in his stomach made an unpleasant prognostication. But the Baron simply lied about Cyrano’s condition, picturing him as a fellow in fine fettle, and the future was bright again.

“Well, Cyrano, how should we pass the time? Shall we play cards?”

“I am not that fond of games, Baron.”

“How about I regale you with some of my fabulous adventures.”

“Meaning no offense, Baron Munchausen, but I think the fabulous adventure we are currently on commands our attention more, don’t you?”

“How so?”
“Well, for example, I’ve just noticed that this coach has no windows. There is nothing to look out of, to see where we are, where we are going, or, for that matter, where we have been.”

“What do you need to see, my dear Cyrano? We are in space somewhere between Mars, which is where we are going, and our mother Earth, which is where we came from.”

“But wouldn’t you love to see our mother Earth from out here? To see that it is a globe spinning in space.”

“You don’t believe it is? You need evidence?”

“Well, of course, I believe it. But just think what it would mean for all those less educated among our fellows if they could see it and be disabused of atavistic notions.”

“Such as?”

“Such as that the Earth is flat.”

“For most people, my friend, for all intents and purposes, the Earth is flat. Why try to unbalance them with details?”

“But, Baron, don’t you think it would be fabulous for people to see the Earth in space? I’m pretty sure they would not be able to see our arbitrary and often disputed borders. If all people in the past had been able to see that we are all one people on one planet, I’m sure then I would not have suffered this neck wound while being a loyal French subject fighting just as loyal Spanish subjects at the Siege of Arras.”

The Baron smiled a gentle yet somewhat patronizing smile as he said, “Ah, my dear friend, just because you cannot see the trees for the forest does not mean the bears are not shitting in the woods.”

“What?”

“I would much rather muse on what we are going to find on Mars. The possibilities are endless.”

Oui! Oui!

“You need to urinate, Cyrano? Don’t worry; I can just lie your bladder empty.”

“No, I meant, in your language, Ja! Ja!

“Just a little joke, my friend. In the future, badezimmer, or if you will, salle de bains humor will be quite the thing.”

“I didn’t know they had humor in Hanover.”

“Ah, Touche, as you like to say!”

“But, to muse on Mars, yes, I think that is a fine idea. I am intrigued by this idea of yours that the inhabitants may have a civilization more advanced and mature than ours.”

“It is the only rational assumption, do you not think? Have we not advanced, become more cultured, since the days of darkness following the Fall of Rome?” The Baron asked.

“Certainly, Baron. Outside of slaughtering each other over religious differences.”

“Ah, well, you see, you prove my point. In my time, we no longer make war over religious differences—we make war over trade! An obvious improvement! But now, I propose we consider what Mars and its inhabitants are like in three categories: The inhabitants themselves. Their architecture. And inventions, machines, and such. You go first!”

“Ahhhh,” Cyrano said and stretched to bide time while he thought slowly in virgin territory. “I wonder, um, whether they walk upright, like us.”

“Why wouldn’t they?”

“We are the only animals to walk upright on Earth, an obvious minority. Perhaps they walk on all fours?”

“Are we not the finest of all animals on Earth?”

“Certainly.”

“Then walking upright is obviously the superior mode of ambulation. Why would the mature Martians be in retrograde? But, at the same time, why would they be stuck ambulating like their younger brothers, we? I suggest that they float.”

“Float?”

“Gentilly from place to place as they contemplate the great questions. Or speedily if time is of the essence. I think they do this in a seated position, their legs crossed and their arms resting on small clouds they manufacture for this purpose.”

“So you see the Martians as having at least the same appendages we have? Legs and arms?”

“Certainly. What could be more practical and utilitarian than our four major appendages? Five for males, of course, but we need not go into that.”

“I disagree, Baron. I will be quite interested to see how the Martians procreate. And whether love is involved?”

Hieronymus Karl Friedrich, Freiherr von Münchhausen, looked quite aghast. “Do not be über-French, my friend. I believe Martians have left all messy interpersonal relations behind. Possibly they do not have sex differences at all. Think of the time that would save! I believe Martians are divided biologically only into classes.”

“Like we are?”

“No, no, not like we are. Classes of kind, not of position. I believe there will be the Thinkers, the Doers, the Adventurers. And the Know-nothings, the Do-nothings, and the Unadventurous.”

“Oh. Like we are?” Cyrano asked rhetorically as his smile indicated that he was silently saying, Touche!

“Humph!” heaved out of the Baron. “Architecture! What do you think Martian buildings will be like?”

“Wondrous structures, I suppose.”

“Exactly!” The Baron said, excited that he and Cyrano might be sharing a vision here. “Made out of luminous organic materials and in colors never seen by the eye of man.”

“But, red—

“Ah, yes, you are right! Colors in variations of red, then, never seen by the eye of man!”

“And tall?”

“Of course, tall, very tall buildings. Intelligent beings always reach higher and higher. And as they can float, there is no limit to how high they can go.”

“And the buildings connected by, oh, let us call them skybridges when the Martians would prefer to saunter instead of float.”

“Marvelous! Yes! Now you are wondering well!” The Baron said, not understanding the slight satire of Cyrano’s suggestion.

“And what of Martian inventions and machines, Baron?”

“Sailing ships that provide their own wind. Machines that create artificial heat in the winter and sweet, soft cool breezes in the summer. Clothes that repel all dirt and stains, thus never need to be washed. A small, tiny, minuscule machine that surreptitiously picks your nose for you. That will be handy for both you and I, eh, Cyrano? Beds that recreate the conditions inside your mother’s womb allowing one to get a decent night’s sleep. A machine that swats insects with a sound irritating to them but pleasant to people. Clothes that protect you against the elements, but weigh next to nothing, look fabulous, and never bunch up in dark secret places.”

“Wonders!” Cyrano exclaimed, genuinely impressed and awestruck over the heights of the Baron’s imagination. “Absolute wonders! What people! What architecture! What inventions! What wonders await us on Mars! But, Baron, what about Mars itself? The landscape.”

“The landscape, yes, yes, we must consider the landscape. Surely whereas our Earth is dominated by blue, green, and brown, Mars must be dominated by reds, pinks, and rust. The Martian trees, for example. I see red, translucent trunks with translucent pink leaves.”

“Why translucent, Baron?”

“It is obvious, my dear Cyrano. Mars is farther from the Sun than Earth. Sunshine then is weaker. After Martian trees have gathered what benefits they need from the Sun, their translucence allows the residue sunshine to pass to the ground to benefit other creatures. Also, as our leaves turn yellow and red with colder weather, I believe Martian leaves will first turn a light green then darken to an intense deep blue, like lapis lazuli.”

“That should be stunning to see.”

“Absolutely!”

“Do you think there will be great oceans on Mars?” Cyrano asked, thinking perhaps, about childhood days at the seashore.

“Without a doubt.”

“How can you be so sure?”

“Where else can they sail their great auto-wind ships?”

“Ah. And great rivers like the Seine?”

“Yes! Flowing down from all the magnificent mountains, every one of them pink snow-capped. Remember, being farther from the Sun, Mars in the winter gets much colder.”

“And what about deserts, Baron? Will there be vast stretches of near-lifeless deserts on Mars?”

“Cyrano, my friend, try to take our musing seriously. But, of course, there will be no deserts on Mars. The Martians are far advanced, they would allow not even one hectare of their home to be anything but verdant. Or possibly I should say, rouge-ant?”

“Yes, I suppose that follows,” Cyrano acknowledged.

“But something is bothering me, my dear Baron.”

“Pray, tell?”

“You have been waxing quite enthusiastically about the details of Mars, but with your power to lie things into existence, are you not possibly bringing them about?”

“No, no, my dear sir! Not at all. You see, to lie effectively, you must first know the truth. Since we do not yet know the truth but only speculate, there is no danger for me, with my superior imagination and perceptive abilities, to alter reality.”

Cyrano simply nodded at the Baron’s declaration, and the Great Munchausen began to consider all the various non-intelligent Martian creatures that might populate the red and pink landscape.

The Baron talked and talked for a duration that may have been long or may have been short or somewhere in between. There was no way to tell as the chariot of Queen Mab contained no timepieces, and they certainly could not tell by the daily track of Sun and moon. The only punctuation in the flow of time and talk was when the Baron became hungry and would lie up some German delicacies for himself and French ones for Cyrano. The limits to the Baron’s abilities became clear to Cyrano when he discovered to his dismay that the Baron’s imagination of French cuisine never quite got the sauces right. But Cyrano, being a gentleman, would never have said a word about it to the Baron, assuming he could have gotten a word in edgewise
to have done so.
 
 

5
CYRANO DE BERGERAC AND
BARON MUNCHAUSEN ON MARS
 
We are here!” Baron Munchausen exclaimed with excitement and a non-Teutonic giddiness.

“How do you know?” Cyrano rightly asked.

“We have landed. We have stopped. There is no movement.”

“I have felt no movement since leaving Earth.”

“I am not used to being doubted, Cyrano!” The Baron said with very Teutonic umbrage.
“My apologies, my dear Baron, I do not mean to offend.”

“Already forgotten, my friend. Please open the coach door and let us introduce ourselves to Mars!”

“Ah, Baron, one moment before I do that.”

“Yes, yes?” The Baron anxiously wanted to get on with it.

“Since it may be colder on Mars than we are used to. And since we have no idea if the Martians breathe the same air we breathe. Would it not be prudent for you to lie up a surrounding bubble of our native atmosphere?”

The Baron was impressed. “A fine idea, Savinien Cyrano de Bergerac. And to think you have not even begun your philosophical studies yet. So, I extend this bubble out, oh, say, one-quarter of a kilometer. Now let us see Mars!”

Cyrano opened the coach door, and the two gentlemen exited the chariot of Queen Mab and looked around.

In complete synchronization, each man’s mouth slowly opened until their jaws allowed no more mobility. And, as if connected in a dance, each man’s eyes widened beyond believing. When it came to voice, only the Baron managed to speak.

“Well—this is a disappointment.”

Stretching out before them was a reddish expanse of a desert under a light pink sky. Cyrano and the Baron saw no life anywhere. No life at all, animal, vegetable, or even mineral. There were no structures, no buildings, not even anthills. Nothing intelligent floated in the air, nor did anything dumb. All they saw was the rusty earth of Mars laid out before them with various tracks along the ground as if giants had scratched them. And with barren mountains off in the distance. And rocks, rocks, and rocks scattered in no discernible logical manner all along the ground.

“Is it possible that this is but one geographic feature of Mars?” Cyrano asked. “That Mars does indeed have deserts, and we just happened to have landed in one? And that the civilized portion of the planet with fabulous architecture and wonderful floating people are elsewhere?”

“Yes, yes, my friend. Back into the chariot of Queen Mab!”

The Baron then lied them to a multitude of longitudes and latitudes. But, upon opening the coach door at each location, they could see only slight variations of the original landscape in which they had landed.

The Baron was inconsolable.

“Time to go home, I think,” Cyrano said to Hieronymus Karl Friedrich, Freiherr von Münchhausen.

“Yes, I agree. But it is hard to lie when you have faced the truth.”

“What, surely not for you! You said—

“Knowing the truth is not the same as facing the truth.

“But you are Lügenbaron! You were Lügenbaron before we came to Mars, and you will be Lügenbaron for a long time after.”

The Baron looked upon the young cavalier before him. A handsome young man, despite his nose. The Baron smiled and waved his right hand in a circular motion. The nine postillion monkey-sized crickets goaded the nine bulls forward faster and faster until the lead bull made his incredible leap. Then, they were off, streaking away from the disappointing red planet.
 
 

6
THE RETURN TO EARTH
 

After experiencing the flattening of escaping Mars’ gravity—a diminished experience compared to breaking away from Earth’s gravity, but uncomfortable nevertheless—Cyrano and the Baron settled themselves for the journey home.

Cyrano sat upright and quietly focused his interior attention on all he had seen on Mars. Trying his best to memorize all the views of all the landscapes they had experienced. They were all quite similar, but with enough differences to give each one a hint of uniqueness. It was mentally cataloging this uniqueness that occupied Cyrano. And, oddly, these slight variations in barrenness thrilled Cyrano.

The Baron, though, seemed to have given up his Baron-ness. He slumped into his seat and took on a woeful continence to rival the great Quixote as he rested his head onto the palm of one hand.

Cyrano was concerned. Where was the confident, prideful, gloriously inflated Baron he had come to know in this deflated man before him? “My dear Baron, please, do not become découragé. We have gone somewhere and seen something no other humans on Earth in your time or mine have ever gone to or seen. We are the greatest of explorers, the exclusive holders of truth! We must now return to Earth and report what we have seen to the world. We will travel the globe, speaking before every society of natural philosophers in each nation that has one. They will be amazed! They will be thrilled! They will bestow so many honors on us we will have to build a warehouse to hold them!”

Despite Cyrano’s enthusiasm, the Baron was unmoved. He looked up at Cyrano from his slumped position and hand-hammocked head. Then, while sighing, he slowly raised his head as upright as he could tolerate it. “Au contraire, as you French like to say along the Seine, we will be bestowed with curses and condemnations and cries of ‘Off with their heads!’”

“Baron Munchausen! You do not mean that!”

“I do, my dear Cyrano, I certainly do. Someday, Man will want to know, indeed, need to know the facts about Mars that we have discovered. I predict that. But how will they ever get to that position without first having the wonder of speculation? The inspiration for imagining? The lies that lead to truth? Do we not tell children lies first to prepare them for realities? No, no, my dear Cyrano, we must continue to lie to the children of Earth. To fill them with that questing spirit, that forward motion to get there themselves, to see for themselves. If we tell them that Mars is nothing but a big, empty, and quite dirty rock, they will just say, ‘Oh, okay, what’s for supper?’ No, better, we should fill their heads with the amazement they desire until they can handle the facts they require. So, as for me, I will continue to conjure, to spin tales, to lie. I suggest you do the same.”

It is not accurate to say that Cyrano was shocked by what the Baron said. He wanted to be and tried to be, but just could not be. The wisdom of the Baron’s statement seemed much too clear to him.

“And Savinien Cyrano de Bergerac...”

“Yes, Baron.”

“Study your philosophy and write. And do compose your Voyage to the Moon. It will be good. Oh, just a small step, of course, but certainly foreshadowing giant leaps. But, if I may make one small suggestion, hopefully without altering the future.”

“I would be honored, Baron Munchausen.”

“You will come up with several clever ways to fly to the moon. Using bottled captured dew that rises in the early morning sun, for example. And magnets! And such other ways. They are not as imaginative as this great chariot of Queen Mab, of course, but clever. However, one of them, an idea of attaching rockets to a machine to go off in stages and then drop back to Earth one after the other—that’s a much too absurd idea even for me! I would not embarrass yourself with that one.”

When they returned to Earth, the Baron lied them back in time to a moment just after they had left. They exited the chariot of Queen Mab to stand on the lonely country road by Cyrano’s cypress tree. As the hazelnut coach faded from existence,

Cyrano, feeling exhausted, staggered to his tree and sat with his back against it. He was ashamed of himself, he wanted to bid a gracious farewell with a deep flourished bow to Baron Munchausen, but he just couldn’t stand. As his eyes drooped, demanding to shut, Cyrano managed to keep them open long enough to see the Baron’s magnificent head slowly fade, allowing the moon to reappear and dominate.
Cyrano’s eyes finally fully closed as he muttered, “Rockets?”

Cyrano was still under his cypress tree when the sun was just rising, still in a deep sleep and snoring. It was a subtle, musical snore, almost flute-like in sound given his long, luxurious nose. It rose up into the air and joined the many lilting, lovely songs of early birds out looking for worms.
 

End

***

This story is included in my anthology Extraordinary Voyages Also included in this anthology is the novella version of my play Made on the Moon, which premiered at the Edinburgh Festival Fringe in 1996.






Extraordinary Voyages is avaialble in paperback and ebook editions on Amazon at:  https://tinyurl.com/4v8m58ha