Showing posts with label James Cromwell. Show all posts
Showing posts with label James Cromwell. Show all posts

Thursday, June 21, 2012

PHOTOS AND VIDEOS FROM FROM RAY BRADBURY WEEK IN LOS ANGELES - 2010




A VERSION OF THIS ESSAY IS INCLUDED IN MY NEW BOOK, SEARCHING FOR RAY BRADBURY, NOW AVAILABLE  FROM AMAZON.COM









In August of 2010 I created and organized Ray Bradbury Week in Los Angeles in celebration of Ray’s 90th birthday. His appearances at several of the free events that took place that week have, sadly, become his last public appearances. But they were grand -- he made them grand -- and served as a wonderful way for his many fans in Los Angeles to express their love for this giant not only of literature—but of life. I didn’t know it was to be his public “good-bye,” and wish deeply that it had not been. But I am grateful that I had a part in allowing him to receive this public love, especially since I was never sure if he would be up to coming to the events.


After a long life, Ray’s body was failing him (but not his mind—never his mind), and I promised his family that in organizing and promoting the events I would not guarantee his appearance. I scrupulously did so as I approached such institutions as the Central Library, The Writers Guild of America, Hugh Hefner and the Playboy Foundation, and the Paley Centre for Media to host events. I told all of them that we were going to honor the man and his work, but they could not count on the man being there.





As it turned out, Ray came to most of the events—and had a great time.


The whole thing started after I had written an essay on Ray for the Los Angeles Times Hero Complex bog, “Searching for Ray Bradbury” in July of 2009. It led to a discussion with Heather Repenning, special assistant to Eric Garcetti, then president of the L.A. City Council, now running for Mayor of Los Angeles. I told Heather that 2010 would see Ray’s 90th birthday, and asked, “Don’t you think the city should do something official to honor him?”  She and Mr. Garcetti immediately, and enthusiastically, said yes. I told them the simple thing they could do, of course, is what cities do all the time, name a day in his honor, but that Ray was too big for a day. I wanted a month, but I told them I would take a week. Again quite enthusiastically, they gave me a week, and on Friday, August 20 declared August 22 through 28th, Ray Bradbury Week in Los Angeles in a wonderful ceremony and reception at City Hall. Ray was there, and was greatly moved.

The audience applauds as Eric Garcitti shows Ray the City Council's proclamation naming August 22-28, 2010 RAY BRADBURY WEEK in Los Angeles


I address the City Council supporting RAY BRADBURY WEEK, and, of course, thanking them, especially Eric Garcetti and Heather Repening

The Planetary Society's Louis Friedman, presents Ray with a huge poster filled with birthday wishes from around our planet.

Councilmembers Bill Rosendahl and Paul Koretz, who both made lovely speeches in support of RAY BRADBURY WEEK, congratulate Ray.
Ray waving to the crowd in the city council chambers.



Taking  the official photo before heading off to the reception for Ray in the Tom Bradley Room at the top of City Hall
L-R  Cynthia Shor, Executive Director of the Walt Whitman House, Steven Paul Leiva, Louis Friedman, Eric Garcetti, Heather Repenning



The Resolution


Louis Friedman, Ray, and I share a laugh at the reception.


Disney animation director, John Musker, in conversation with Ray at the reception.

I read to Ray that morning's Los Angeles Times article on him and RAY BRADBURY WEEK


Ray talking to students from the Green School in Hollywood who later that week staged their own version of "Fahrenheit 451.

TO SEE FULL VIDEO OF THE CITY COUNCIL PROCLAMATION GO TO THESE LINKS:




The next Monday I was honored to direct at the Writers Guild of America a staged reading of Ray’s moving one-act play, “The Better Part of Wisdom,” staring James Cromwell, Seamus Dever, and Jeff Cannata. 

L-R Jeff Cannata, James Cromwell, Seamus Dever
Photo by Michael Jones

Cromwell and Dever as Grandfather and Grandson.
Photo by Michael Jones

A wonderful moment from James Cromwell.
Photo by Michael Jones

The end of the play -- Jeff Canatta lays a loving hand on his sleeping lover played by Semus Dever.
Photo by Michael Jones


Ray came and met with the actors before the reading, telling us that it was actually the first time the play had been staged. I’m not sure that’s true, I believe it had been performed before, but it gave us all an incredible sense of connection with Ray and made the experience a deeper one for all of us. I think in telling us this, Ray was giving us a gift only he could give.  

In the green room before the reading. L-R James Cromwell, Seamus Dever, Jeff Canatta, Steven Paul Leiva
Photo by Michael Jones

We had a full house, of course, and Ray was seated in the first row, just several feet from the actors, loving their performances. 

James Cromwell and Seamus Dever perform for the audience at the Writers Guild.
Photo by Michael Jones

Ray receiving applause from the audience after the reading.
Photo by Michael Jones

I address the audience and Ray telling them about RAY BRADBURY WEEK
Photo by Michael Jones

Ray giving his thanks to the actors and the audience.
Photo by Michael Jones

And as I, Jeff Canatta and James Cromwell look on.
Photo by Michael Jones

After the reading, Ray spent some time talking to Cromwell about his father, the great film director John Cromwell, whose work Ray loved.

Cromwell and Bradbury.
Photo by Michael Jones

Ray expressing his love to James Cromwell.
Photo by Michael Jones

The cast, director, and playwright.
Photo by Michael Jones
The reading was sponsored by the Career Longevity Committee of the Writers Guild, which is part of the Diversity Department of the Guild. Here Ray, elegant in black and red,  sits for a photo op with Tery Lopez and Kim Myers of the Diversity Dapartment, and Steve Chivers, chairman of the CLC, and me.

YOU CAN SEE SOME SELECTED SCENES FROM THE READING HERE:



The next night Hugh Hefner and the Playboy Foundation sponsored a screening of Fahrenheit 451. The screening was preceded by a joint appearance on stage by Hefner and Ray, two old and great friends, talking about their collaborations over the years, especially when Hefner serialized Fahrenheit 451 in Playboy issues number two, three, and four. The second man to walk on the moon, Buzz Aldrin, was there in the audience, as was Bill Nye the Science Guy, and Roger Allers, the co-director of The Lion King. And fans, many fervent fans.

Hugh Hefner with Ray.
Photo by Peter Lonsdale


Ray with Buzz Aldrin in the green room.


Ray and Hugh talk in the green room.


Hugh Hefner and Ray Bradbury are interviewed by Geoff Boucher of the Los Angeles Times as I assist Ray with the mic.

YOU CAN SEE A FULL VIDEO OF THE 451 EVENT HERE:





And that Thursday the downtown Central Library hosted a screening of the film version of Ray’s classic short story, The Wonderful Ice Cream Suit, an underrated delight. Ray came to this as well and joined the audience before the screening for an ice cream social in the courtyard in front of the Mark Taper Auditorium. Ice cream was Ray’s favorite food.  

Ray being handed his very special ice cream sandwich from the Cool Haus ice cream truck by his good friend John King Tarpinian.

Ray sharing love at the ice cream social with animation producer Melissa Kurtz


After the screening Ray joined the star of the film, Joe Mantegna, and Stuart Gordon, the film’s director, on stage to reminisce not only about the making of the film, but the stage version that Mantegna had starred in and Gordon had directed many years previously. The love between the three was palpable—the laughs they shared were a delight to the audience. 

I introduce the panel - Joe Mantegna, Ray Bradbury, and Stuart Gordon.
Photo by Trang Duong 

Ray Bradbury listening to Stuart Gordon speak about the making of "The Wonderful Ice Cream Suit."
Photo by Trang Duong 

I ask Joe a question.
Photo by Trang Duong 

We share a laugh over a story Stuart told.
Photo by Trang Duong 

Ray and I listen to Joe talk of his experiences performing in both the stage and film versions of "The Wonderful Ice Cream Suit."
Photo by Trang Duong 

Ray was exhausted after these appearances. Exhausted but, he told, me flying high.  Ray often said, “You’ve got to jump off cliffs and build your wings on the way down.”  He jumped off a cliff for Ray Bradbury Week. The wings were built by the love of the public.


Ray Bradbury by Lou Romano.
Lou is an animation production artist and voice-over actor.
This piece was commissioned by WRITTEN BY, the magazine of the Writers Guild of American, west for the cover of of the Summer 2010 issue with a lead article on Ray. This was their contribution to RAY BRADBURY WEEK and Lou's contribution to RAY BRADBURY - ILLUSTRATED MAN, a virtual art show I put together with contributions of original art by 20 artists from film animation doing either a portrait of Ray or a piece inspired by him or a particular work of his.


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Visit the Ray Bradbury Facebook page that has photos and videos from that week’s various events, including the virtual art show, RAY BRADBURY - ILLUSTRATED MAN.

Friday, April 6, 2012

TRAVELING IN AUDIO SPACE # 1



An adventure is starting on Saturday. Well, that may be hyperbole, but I’ll stand by it because I’m excited and delighted.

On Saturday we have the first recording session for the audiobook version of Traveling in Space. I love the human voice, I always have, and when I write I try to write as if my work will be read out loud. This is obviously true of stage and screen plays, but it is also true for me when I write novels.  That’s why audiobooks are such a delight. It is a full circle return to the beginning of literature, which started as an oral tradition. 

All rights reserved by New Visions2010

And, as I said, I have a particular fondness for things oral.

My first published novel, Blood is Pretty: The First Fixxer Adventure was produced as an audiobook by Crossroad Press  (who had previously published the ebook version), and I was really happy with the results. Crossroad handled everything, including booking the reader, Jonah Cummings.


Jonah, like many voice over artists these days, has a small recording studio at his home in North Carolina, and he produces his own recordings. Jonah and I had an initial conversation over the phone to allow him to ask me questions about the book and how I see the characters, and allowed me to tell Jonah what I thought were the things most important to emphasize in certain characters and certain moments of the story, and that since the book is a first person narration, everything in the book should be performed, not just read. 

Jonah then recorded the text in chunks, and when he was happy with them, he would send me an audio file. I would listen and correct any mispronunciations of names or ask for changes in interpretation I felt should be made. There were little of either, and it was a very nice ride with Jonah bringing my characters alive.  The biggest surprises came when Jonah would give a character a voice completely unlike that character’s voice that I had always heard in my head -- and it was better.  That gave my own work a new dimension, a different texture, and a way for me to see my work as others might see it.   

If you like audiobooks (or even if you just have an MP3 player and are tired of music), I suggest you sample a bit of Jonah’s work on Blood is Pretty on the audiobook's Amazon page here.   


If you are intrigued by Jonah’s performance buy the audiobook .



I won’t stop you, in fact I encourage it. 

Traveling in Space is going to be a different experience.  The idea for the audiobook came from my publisher Dave Doody of Blüroof Press. When Dave saw me give a reading of a section of the novel for GuerrillaReads, he said, “Let’s do an audiobook with you reading.”  “Great idea,” I said, “but not with me reading.” I explained to him that as much as I like reading my work at appearances, 

Photo by Miranda Leiva














and as much as I am a ham -- 


photo by Russell Orrell



I am not an actor, especially not a well trained actor (high school drama classes do not count).  But I had in mind the perfect actor to do the job.

Jeff Cannata is an actor 


















who I had directed twice for readings at the Writers Guild of America. The first time was for a reading of a one-act play by Ray Bradbury, The Better Part of Wisdom. He had come recommended by a casting agent and I took the recommendation (there are no real auditions for one night readings). Playing opposite Seamus Dever from TV’s Castle, and the wonderful James Cromwell, Jeff impressed me greatly with his very subtle yet forceful performance as the British lover of an Irish man being visited by his grandfather in 1950s London. (you can see video clips of the reading here) Just his very accurate, seamless, non-cartoony accent told me how well trained he was in the technical aspects of acting. His performance showed me how intuitive he is in the art of acting.

Jeff, James Cromwell and Seamus Dever
photo by Michael Jones

Later I directed Jeff playing the lead in a reading of Sam Bobrick’s The Physic, a comedy mystery that won last year’s Edgar Award for Best Mystery Play. Although directed is a bit of an overstatement. Essentially I blocked for the reading the play’s original cast from the Edgar winning production that had been directed by Susan Morgenstern. Here I got to see Jeff’s comedic talents, 
Jeff in "The Psychic"
photo by Greg Mitchell


So, I asked Jeff to perform Traveling in Space for the audiobook.  Luckily, Jeff is a huge audiobook fan, a science fiction fan, and, I’m happy to say, after reading Traveling in Space, a fan of my book. He said yes. Simpatico compatibility reigns! 

So...starting Saturday we will enter into my good friend Peter Lonsdale’s home recording studio and start a fun adventure. 





is a long time film editor 





(Back to the Future, The Rocketeer, Who Framed Roger Rabbit) who also loves audiobooks. He and I will produce the recording, I will direct, and Jeff will, I am sure, will reveal new dimensions to my novel. 

Eventually the audiobook version of Traveling in Space will be available from Audible.com, Amazon and at the iTunes store.

Assuming there might be something interesting to write about as we move forward, I will continue with occasional new chapters in Traveling in Audio Space.