Showing posts with label horror movies. Show all posts
Showing posts with label horror movies. Show all posts

Tuesday, September 20, 2022

HALLOWEEN A'COMIN' CREATURE FEATURE DISCOUNTIN'

 


PRINT            CREATURE FEATURE: A HORRID COMEDY    AUDIOBOOK                    

Well, as we head into Fall or Autumn (depending on what you call it) and move toward the horrors of Halloween, it’s time for Magpie Press to offer the ebook of  Creature Feature: A Horrid Comedy at the absolutely not scary but frighteningly low price of 99 cents. 

So, with the wave of a decomposing hand, Mr. Manfred Magpie has done so. 





And Mr. Manfred Magpie commands me to inform you that if you buy the ebook Creature Feature: A Horrid Comedy for your Kindle or Kindle Reader for this ridiculous price of 99 cents (especially during inflation), Amazon will offer you the wonderfully produced (by Seamus Dever) and brilliantly acted (by Seamus Dever AND Juliana Dever) audiobook of same for only $7.49! 


As Seamus and Juliana did an absolutely wonderful job creating the audiobook of Creature Feature: A Horrid Comedy, it would be HORRIBLE for good CREATURES to pass up this MONSTER deal.



Amazon ebook https://tinyurl.com/y4zxh6kf


Amazon UK ebook https://tinyurl.com/y9zrg8xq


Amazon Australia ebook  https://tinyurl.com/y6h56ozs


Amazon Canada ebook  https://tinyurl.com/y3zcqjh9


Amazon India ebook   https://tinyurl.com/y5jghfqm


Amazon paperback https://tinyurl.com/y6gqyea7



Here's a message from Seamus Dever—




And here's some of what people and publications and the internet have said about the book and the audiobook. Following that you will fine four fine samples from the audiobook for your listening pleasure.

Cheers! 

Or, Chills! 

Take your pick.

































Friday, July 9, 2021

HORROR AND HUMOR: STORYTELLING BLOOD BROTHERS

 


Have you ever noticed that a blood-curdling scream and a raucous belly laugh have much in common? 

BLOOD-CURDLING LAUGH
BELLY LAUGH







They both are automatic responses—you couldn't stop them if you tried. They come after either an unexpected fright, in the case of the blood-curdling scream, or an unexpected joke, or pratfall, in the case of the raucous belly laugh. This is also true for a quick intake of breath after a slight scare and a chuckle after a witty jab. I don't know if horror and humor are controlled by the same area of the brain, but if not, their separate areas must be, at the very least, good neighbors. 


This is why mixing horror with humor is a good bet for creating something entertaining. And why I took on the challenge in my novel, Creature Feature: A Horrid Comedy

EBOOK AND PRINT BOOK—TAKE YOUR PICK



It takes place in the 1960s when Kathy Anderson, an Actors Studio trained thespian of earnest intent, is stuck in Chicago playing Vivacia the Vampire Woman, hostess of a local late-night TV creature feature movie show. Disgusted with being a sex object for geeks and nerds, she quits the show to head for Broadway and a brilliant theatrical career. She stops off on the way to see her folks in Placidville, the small town she grew up in. But her parents seem a little, shall we say, off. As do the neighbors. And her best friend from high school, Mary. And especially Mary's brother, Gerald, the geekiest nerd (or nerdiest geek, if you prefer) in town. He tries to warn her of dire, dark, and dastardly doings, but Kathy just won’t listen. 


As my novel spoofs old monster movies, I looked to precedents such as Abbott and Costello Meets Frankenstein





Roger Corman's The Raven starring Vincent Price, Boris Karloff, and Peter Lorre parodying some of their past efforts, 




and, of course, Mel Brooks's Young Frankenstein




All films near and dear to my funny bone. I took particular note of why they worked so well. It was because of a wisdom of comedy first pointed out to me by Chuck Jones, the great Looney Tunes director of Bugs Bunny, Daffy Duck, et al., and the creator of the Coyote and the Roadrunner. 

ME AND CHUCK JONES 1991

I worked with Chuck off and on for years. 

One day we were discussing Airplane!, the 1980 comedy feature film. I pointed out that many of the gags in the movie seemed much like the work of that other great cartoon director, Tex Avery. Especially Avery's comedy timing and visual surrealness. Chuck agreed but then pointed out that it "worked" as a feature film because they took the plot seriously. "You really cared if that damn plane was going to crash or not," Chuck said. And, indeed, the filmmakers had "borrowed" the plot and characters from the 1957 Paramount film, Zero Hour, a straight dramatic suspense film.













The same could be said of the horror-comedy films mentioned above. The horrible threats from creatures and vampires were real for Abbott and Costello. And in the wizards' duel between Price and Karloff, the dire consequences if the good wizard lost were unthinkable. The confusion and existential angst that Young Frankenstein's monster felt were just as telling as what the original Frankenstein's monster felt. They were just a hell of a lot funnier!


So, in Creature Feature: A Horrid Comedy, I put in as much serious weirdness, threat, frights, flights, suspense, and potential horrible outcomes as I could (I mean, being eaten alive is a pretty horrible potential outcome) to form the skeleton for the flesh of funny. 


Besides spoofing old creature feature movies, I added some satire of politics. But that may be too horrible and frightening to discuss at this time.










As my novel was imbued with the spirit of monster movies, I wanted the audiobook to be performed more than just read. I wanted it to have fine comedic performances. So, I needed performers with natural wit and an innate sense of comedy timing. I didn't have to look far, for right in my Rolodex was Seamus Dever and Juliana Dever. (I don't really have a Rolodex, but I liked the alliteration.) You will remember the Devers (yes, they are married) from ABC's excellent mystery series, Castle. Seamus played Detective Ryan, a regular on the show. And Juliana guest-starred occasionally as Jenny, his girlfriend and, later, his wife. 

JULIANA DEVER AND SEAMUS DEVER IN CASTLE



I first met Seamus when I directed him in a staged reading of a one-act play by Ray Bradbury. 





JAMES CROMWELL AND SEAMUS DEAVER
READING A RAY BRADBURY PLAY

I was and remain a fan of Castle. The range of Seamus’s talent from the deeply dramatic to the comedic was well displayed in the series. Seamus is active in Los Angeles theatre, and I rarely miss an opportunity to see him on stage. And his work with Los Angeles Theatre Works (LATW), America's finest radio theater company, has been a delight to follow. Seamus, I knew, would be perfect as the narrator and the characters in the audiobook. But I also knew that Kathy/Vivacia, who is, after all, the main protagonist of the story, needed her own voice. When I saw the wit, lively banter, and obvious chemistry Seamus and Juliana shared in several "lockdown" videos they posted online, it was obvious. Juliana should be my Kathy/Vivacia.


I feel fortunate that Seamus and Juliana agreed to do the audiobook. 


A TEASER POSTER FOR THE 
CREATURE FEATURE AUDIOBOOK


Besides performing, Seamus produced, directed, and edited the recording, applying his wit and great sense of comedy timing to those efforts as well.


Did my mixing horror and humor work? 


Well, New York Times bestselling author of horror novels Jonathan Maberry 

JONATHAN MABERRY


has said: "Creature Feature is a weird, funny, twisty romp through the creepier parts of the American landscape. Highly entertaining and highly recommended." 



And Phil Proctor, one-fourth of The Firesign Theatre, the legendary comedy group that the Library of Congress called "The Beatles of Comedy," 

PHIL PROCTOR


said of the audiobook: "This is the most horrible thing I've ever heard—and that's a good thing! It's screamingly funny and probably one of the best performed and produced audiobooks I've ever heard...and I have tinnitus." 


So, I guess the answer is yes.

++++++++++++++++++++++++++++

ALL THE CREATURE FEATURE LINKS YOU COULD USE



Amazon ebook https://tinyurl.com/y4zxh6kf


Amazon UK ebook https://tinyurl.com/y9zrg8xq


Amazon Australia ebook  https://tinyurl.com/y6h56ozs


Amazon Canada ebook  https://tinyurl.com/y3zcqjh9


Amazon India ebook   https://tinyurl.com/y5jghfqm


Amazon paperback https://tinyurl.com/y6gqyea7


AMAZON AUDIOBOOK  https://tinyurl.com/yewcv6zx


AUDIBLE AUDIOBOOK  https://tinyurl.com/wjr2fb5s


CREATURE FEATURE SPEAKS! Blog  https://tinyurl.com/3k992ent


SAMPLE THE FULL FIRST CHAPTER OF CREATURE FEATURE ON YOUTUBE https://tinyurl.com/94mz54e5


CREATURE FEATURE SOUNDTRACK Suite for Le Cinema De Créatures (Music from "Creature Feature - A Horrid Comedy") https://tinyurl.com/j4pwydka







 




Sunday, November 22, 2020

MY MOTHER NEVER LET ME WATCH MONSTER MOVIES WHEN I WAS A KID


My mother never let me watch monster movies when I was a kid.
She was afraid I would have nightmares.




My mother -- a perfectly nice woman
My mother was a perfectly nice woman, but I always suspected that she was not so much afraid that I would have nightmares—waking up in a cold sweat and screaming out, “MOMMY! MOMMY!”—as she was determined to have an uninterrupted night’s sleep.


In any case (a case for a psychiatrist, most likely), I was not inculcated with a love of creature features in my formative years.

 

(I wonder if someone can be inculcated by an incubus? But I guess that’s off-topic.)


I never even saw the original Universal Pictures
Frankenstein, which ran often on television on Channel Nine’s Million Dollar Movie in Los Angeles. Every other kid in my school got to see Frankenstein. And Dracula and The Wolfman and all their sequels. Nope, my mommy wouldn’t let me see The Mummy. She somehow was convinced that I was an impressionable, delicate child. But the biggest impression I ever got was from my elementary school classmates who thought I was a weird little kid because I didn’t get to watch weird little films and join in on their playground conversations about how neat Godzilla was, or how cool The Beast from 20,000 Fathoms was.



And forget going to the movie theater to see The Blob when I was nine-years-old and just one year away from a double-digit age, surely the entrance into adolescence.







I didn’t see the Universal Frankenstein until well into my adult years. Indeed, if memory serves (and memory has been a pretty sloppy server of late), I think I saw Young Frankenstein before I saw Frankenstein.






Since then, of course, I’ve seen all the great Universal horror films—including Howard the Duck.




Frankenstein is my favorite because it’s so oddly beautiful in design. And because Boris Karloff was a better actor than Colin Clive. And Frankenstein’s monster is not really a monster, is he? I mean, he didn’t ask to be born—or rather, assembled and stitched together. He’s just looking for love in all the wrong places. I mean, a village in the Bavarian Alps? How many good bars could there be there? Of course, his “father” abandoned him, so why wouldn’t he be dysfunctional when it comes to love? On top of that, people are always stopping him and asking him to jump-start their cars. It’s the bolts in the neck you see…






Memory is serving up another course and has corrected me. I did get to see two monster movies when I was a kid. One by permission, and one by accident. Mother let me see
Abbott and Costello Meet Frankenstein.

(Of course, they didn’t, because Dr. Frankenstein was nowhere to be seen. The Invisible Man was nowhere to be seen either, but at least he was in the movie.)


Mother figured as it was a comedy and Abbott and Costello were so silly how could the film be frightening. But I fooled her. The film scared the shit out of me.


The other monster film was of a giant insect variety. But I did not know that when I saw listed in the TV Guide a film called The Beginning or the End, a film about the development of the atomic bomb in World War II to be shown on the late afternoon movie show. I asked mom if I could see it and she had no objections as WWII was a big factor in her life, and she thought the film would be educational. So she exited to the kitchen to start preparing dinner as I turned on the TV.



When the film came on it quickly became apparent that the TV Guide had made a mistake in their listing. The film beginning to air was not The Begining or the End about the making of the atomic bomb, but The Beginning of the End, about giant grasshoppers. The grasshopper growth spurt was caused by radiation, so there was that connection. But that didn’t impress my mother when she came out of the kitchen and saw the giant locusts rampaging downtown Chicago. I had seen so much of the movie already, though, that even she didn’t have the heart to make me turn it off. But she told me if I had a nightmare I was on my own. I don’t remember if I had a nightmare or not, but ever since then, I’ve been adamant about not eating chocolate-covered grasshoppers, firmly believing that two wrongs just simply do not make a right. 



So, given all this, what inspired me to write my latest novel, Creature Feature: A Horrid Comedy?


Add caption


Add caption



Well, it came from a simple question that occurred to me after a night of debauchery in a seraglio.







That’s not true, of course, I just like typing those words. The truth is, I was probably in the shower. Alone, I hasten to add rather sadly. I find many good ideas come to one during a nice hot shower. But when you are in there alone, what the hell else are you supposed to do?


Anyway, the simple question was—where do really weird ideas come from? (besides a hot shower). I mean, monsters, and creatures of the night, and blood-suckers, and really angry giant lizards and or gorilla-like stompers of not-yet-paid-for cars, and big fat humungous insects that look down on people and say, “Gee, they look just like little bugs”? Not to mention demons from hell and zombies. So I won’t mention them. Especially zombies. I hate zombies. Zombies got no reason to live!

 

To answer that question without leaning on dark psychology, and to find an answer that might lead to some laughs, I wrote Creature Feature: A Horrid Comedy.  Why a comedy? Well, with all the real monsters today in our real lives, monsters microscopic, monsters climatic, and monsters political, don’t you think we deserve a few laughs?



Watch some strange guy read the opening of Creature Feature: A Horrid Comedy.


You will find my creatures of the most unimaginable horror (although, of course, I imagined them) on fine Amazons worldwide.


Amazon ebook https://tinyurl.com/y4zxh6kf

Amazon UK ebook https://tinyurl.com/y9zrg8xq

Amazon Australia ebook  https://tinyurl.com/y6h56ozs

Amazon Canada ebook  https://tinyurl.com/y3zcqjh9

Amazon paperback https://tinyurl.com/y6gqyea7