Showing posts with label Phil Proctor. Show all posts
Showing posts with label Phil Proctor. Show all posts

Friday, July 9, 2021

HORROR AND HUMOR: STORYTELLING BLOOD BROTHERS

 


Have you ever noticed that a blood-curdling scream and a raucous belly laugh have much in common? 

BLOOD-CURDLING LAUGH
BELLY LAUGH







They both are automatic responses—you couldn't stop them if you tried. They come after either an unexpected fright, in the case of the blood-curdling scream, or an unexpected joke, or pratfall, in the case of the raucous belly laugh. This is also true for a quick intake of breath after a slight scare and a chuckle after a witty jab. I don't know if horror and humor are controlled by the same area of the brain, but if not, their separate areas must be, at the very least, good neighbors. 


This is why mixing horror with humor is a good bet for creating something entertaining. And why I took on the challenge in my novel, Creature Feature: A Horrid Comedy

EBOOK AND PRINT BOOK—TAKE YOUR PICK



It takes place in the 1960s when Kathy Anderson, an Actors Studio trained thespian of earnest intent, is stuck in Chicago playing Vivacia the Vampire Woman, hostess of a local late-night TV creature feature movie show. Disgusted with being a sex object for geeks and nerds, she quits the show to head for Broadway and a brilliant theatrical career. She stops off on the way to see her folks in Placidville, the small town she grew up in. But her parents seem a little, shall we say, off. As do the neighbors. And her best friend from high school, Mary. And especially Mary's brother, Gerald, the geekiest nerd (or nerdiest geek, if you prefer) in town. He tries to warn her of dire, dark, and dastardly doings, but Kathy just won’t listen. 


As my novel spoofs old monster movies, I looked to precedents such as Abbott and Costello Meets Frankenstein





Roger Corman's The Raven starring Vincent Price, Boris Karloff, and Peter Lorre parodying some of their past efforts, 




and, of course, Mel Brooks's Young Frankenstein




All films near and dear to my funny bone. I took particular note of why they worked so well. It was because of a wisdom of comedy first pointed out to me by Chuck Jones, the great Looney Tunes director of Bugs Bunny, Daffy Duck, et al., and the creator of the Coyote and the Roadrunner. 

ME AND CHUCK JONES 1991

I worked with Chuck off and on for years. 

One day we were discussing Airplane!, the 1980 comedy feature film. I pointed out that many of the gags in the movie seemed much like the work of that other great cartoon director, Tex Avery. Especially Avery's comedy timing and visual surrealness. Chuck agreed but then pointed out that it "worked" as a feature film because they took the plot seriously. "You really cared if that damn plane was going to crash or not," Chuck said. And, indeed, the filmmakers had "borrowed" the plot and characters from the 1957 Paramount film, Zero Hour, a straight dramatic suspense film.













The same could be said of the horror-comedy films mentioned above. The horrible threats from creatures and vampires were real for Abbott and Costello. And in the wizards' duel between Price and Karloff, the dire consequences if the good wizard lost were unthinkable. The confusion and existential angst that Young Frankenstein's monster felt were just as telling as what the original Frankenstein's monster felt. They were just a hell of a lot funnier!


So, in Creature Feature: A Horrid Comedy, I put in as much serious weirdness, threat, frights, flights, suspense, and potential horrible outcomes as I could (I mean, being eaten alive is a pretty horrible potential outcome) to form the skeleton for the flesh of funny. 


Besides spoofing old creature feature movies, I added some satire of politics. But that may be too horrible and frightening to discuss at this time.










As my novel was imbued with the spirit of monster movies, I wanted the audiobook to be performed more than just read. I wanted it to have fine comedic performances. So, I needed performers with natural wit and an innate sense of comedy timing. I didn't have to look far, for right in my Rolodex was Seamus Dever and Juliana Dever. (I don't really have a Rolodex, but I liked the alliteration.) You will remember the Devers (yes, they are married) from ABC's excellent mystery series, Castle. Seamus played Detective Ryan, a regular on the show. And Juliana guest-starred occasionally as Jenny, his girlfriend and, later, his wife. 

JULIANA DEVER AND SEAMUS DEVER IN CASTLE



I first met Seamus when I directed him in a staged reading of a one-act play by Ray Bradbury. 





JAMES CROMWELL AND SEAMUS DEAVER
READING A RAY BRADBURY PLAY

I was and remain a fan of Castle. The range of Seamus’s talent from the deeply dramatic to the comedic was well displayed in the series. Seamus is active in Los Angeles theatre, and I rarely miss an opportunity to see him on stage. And his work with Los Angeles Theatre Works (LATW), America's finest radio theater company, has been a delight to follow. Seamus, I knew, would be perfect as the narrator and the characters in the audiobook. But I also knew that Kathy/Vivacia, who is, after all, the main protagonist of the story, needed her own voice. When I saw the wit, lively banter, and obvious chemistry Seamus and Juliana shared in several "lockdown" videos they posted online, it was obvious. Juliana should be my Kathy/Vivacia.


I feel fortunate that Seamus and Juliana agreed to do the audiobook. 


A TEASER POSTER FOR THE 
CREATURE FEATURE AUDIOBOOK


Besides performing, Seamus produced, directed, and edited the recording, applying his wit and great sense of comedy timing to those efforts as well.


Did my mixing horror and humor work? 


Well, New York Times bestselling author of horror novels Jonathan Maberry 

JONATHAN MABERRY


has said: "Creature Feature is a weird, funny, twisty romp through the creepier parts of the American landscape. Highly entertaining and highly recommended." 



And Phil Proctor, one-fourth of The Firesign Theatre, the legendary comedy group that the Library of Congress called "The Beatles of Comedy," 

PHIL PROCTOR


said of the audiobook: "This is the most horrible thing I've ever heard—and that's a good thing! It's screamingly funny and probably one of the best performed and produced audiobooks I've ever heard...and I have tinnitus." 


So, I guess the answer is yes.

++++++++++++++++++++++++++++

ALL THE CREATURE FEATURE LINKS YOU COULD USE



Amazon ebook https://tinyurl.com/y4zxh6kf


Amazon UK ebook https://tinyurl.com/y9zrg8xq


Amazon Australia ebook  https://tinyurl.com/y6h56ozs


Amazon Canada ebook  https://tinyurl.com/y3zcqjh9


Amazon India ebook   https://tinyurl.com/y5jghfqm


Amazon paperback https://tinyurl.com/y6gqyea7


AMAZON AUDIOBOOK  https://tinyurl.com/yewcv6zx


AUDIBLE AUDIOBOOK  https://tinyurl.com/wjr2fb5s


CREATURE FEATURE SPEAKS! Blog  https://tinyurl.com/3k992ent


SAMPLE THE FULL FIRST CHAPTER OF CREATURE FEATURE ON YOUTUBE https://tinyurl.com/94mz54e5


CREATURE FEATURE SOUNDTRACK Suite for Le Cinema De Créatures (Music from "Creature Feature - A Horrid Comedy") https://tinyurl.com/j4pwydka







 




Tuesday, May 11, 2021

A NUMBER OF REALLY NICE AUTHOR THINGS

 


Hello, Everybody!


It’s starting out to be a nice week for this author


NICE THING # 1


It’s a wonderful thing to be endorsed by a master!


Phil Proctor of The Firesign Theater has offered this blurb for the Audiobook edition of CREATURE FEATURE: A HORRID COMEDY. 





“This is the most horrible thing I’ve ever heard — and that’s a good thing! It’s screamingly funny and probably one of the best performed and produced audiobooks I’ve ever heard...and I have tinnitus." ~ Phil Proctor of the Firesign Theatre



As you may know “Entertainment Weekly” ranked The Firesign Theater among the “Thirty Greatest Comedy Acts of All Time.” And the US Library of Congress, when adding their album “Don’t Crush That Dwarf, Hand Me the Pliers” to the National Recording Registry, they called the group “The Beatles of comedy.”


The Firesign Theater then

Phil Proctor today


As the author of the novel, I’m honored and delighted. But Phil Proctor’s words are truly a testament to the wonderful work Seamus Dever did as the producer, director, and editor of the audiobook. And his and Juliana Dever’s performances in bringing the book to ears all around the world! Along with the original music by Ray Zeigler, they have created something much more textured and fine than a simple reading of the work. My cheers—and love—to them.


Juliana Dever

Seamus Dever

Ray Zeigler




NICE THING # 2






I'm thrilled to get the first AMAZON 5-star review for BULLY 4 LOVE within a week from launch.

============================================

Katinka

5.0 out of 5 stars

Mom Kat Reads

Reviewed in the United States on May 9, 2021

Adolphus didn't know it, but his life would be forever changed when a woman named Livinia walked into his Adult Education class. The changes wouldn't come directly from or through her, though something about her presence seemed to bring about great change in those whose lives she touched.

This was an unusual story. In the beginning, I wasn't sure what to make of it. It's isn't your typical romance story. (Livinia is a very happily married woman, and there is no physical, romantic, or emotional relationship between Adolphus & Livinia.) This book more truly explores the story of Adolphus & Livinia's husband Eugene.

But again, it is not a physical or romantic love story between these two men, but more a story of how their lives intertwined throughout the years. The two had known each other as children, and while in the beginning they seemed destined to destroy one another's futures, instead it turns out that they are meant to be each other's saviors.

I really enjoyed reading this story. It brings you through the full range of human relationships. This book at times made me laugh and at other times made me cry. This is a contemporary tale that you really won't want to miss.

Highly recommended for anyone who enjoys reading deeply personal stories about how the simplest of things can be the catalyst to forever alter the course of someone's life.

==========================


NICE THING # 3


It was my distinct pleasure to be interviewed by Patricia Bates on her podcast DISTINCT AUTHORS TALK PUBLISHING.




Patricia Bates


And we did talk about publishing, but also the art of writing of prose, which I find much more interesting. You can listen to the podcast on Spotify here:

https://open.spotify.com/episode/0qJCtPAAU8jb5jEgaqQxL5 


As always, all my books can be purchased on Amazon, and you can see them all on my Amazon Author's Page right HERE.


AND ON A PERSONAL NOTE


I will be ending the week celebrating at the Bowers Museum in Santa Ana the birthdays of my two daughters—Miranda (April 27) and Nanette (June 5)— and their old man whose birthday comes somewhere in between. We are taking the opportunity of the Disney Archives Exhibit at the museum to gather all together for the first time since the pandemic started. We will be joined by Nanette’s husband, Rick, Miranda’s best friend, Selena, and my lovely wife, Amanda.


Don’t know what the hell I’m going to do next week!